Tramp art is a style of woodworking which emerged in America in the latter half of the 19th century. Some of tramp art's defining characteristics include chip or notch carving, the reclamation of cheap or available wood such as that from cigar boxes and shipping crates, the use of simple tools such as pocketknife, and the layering of materials into geometric shapes through glue or nails. One technique used in tramp art is Crown of Thorns joinery.
Tramp art was an art form made wherever the raw materials used in its construction were found. It appealed to men who might have made an important body of work such as ‘Sunflower’ artist John Martin Zubersky (active c. 1912 – 1920) or the wonderfully expressive wall pockets by John Zadzora (active circa 1910) but also to men who might have made one piece in their lifetime. It was easy to make and appealed to anyone who had a desire to take a pocketknife to wood.
There were countless men, some women, and even children who historically constructed tramp art.
In 1975 Helaine Fendelman published the first book on tramp art, Tramp Art an Itinerant's Folk Art. The book acted as a catalog to the first museum show on the art form sponsored by the American Folk Art Museum. In 2017, the Museum of International Folk Art put on an exhibition that highlighted the enduring nature and broad reach of tramp art.
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